Montsià Station (at long last)

viaEstrecha

Spanish metre gauge in G scale (on the cheap)
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This year, my priority is to add more infrastructure to my line and to that end I have been busy making a new station for the main line: Montsià. Construction followed my usual methods, using Forex foamboard and hundreds of little bits of plasticard embellishments to give depth to the stonework, with other oddments along the way, such as rubber bathmat to represent roof tiles. As usual, masonry paints in various hues have been employed. And so finally, after perhaps 150-200 hours of labour, it was placed outdoors yesterday. To celebrate, here are a few photos, including some taken as the evening came, as I was especially keen to use lighting and interior detail in this model.

I based the architectural style on a line in Huesca - this is a typical station from it:
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The site in my garden is narrow and so I had to make a slightly more complex shape to fit, whilst retaining the generic style.

General view, showing the separate WC block, usually placed downwind of the main building. PVC tablemat was handy to provide the grilles around the upper part of the walls.
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I cheated by using Pola windowframes but had to manufacture the arched doors from scratch, using styrene profile.
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Most of my other buildings are low-relief but here I have had to model it to be seen from all sides. This is the 'back door' A separate shape representing pavement slides up against the base of the building, to hide any gaps.
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And here I was able to indulge myself with some street furniture of 1960s Spain.
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Amazingly, I do very occasionally manage to run a train as well!
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Just a few more shots as the evening drew in. My cheap digital camera gets a bit grainy now, so apologies for that!
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Certain rooms have interior decoration to provide something to spot when you peer through the windows. Laminated photos of shutters have been fixed behind unlit windows. The Pola real-time clock is actually displaying UK rather than Catalan time! Whitemetal bell, distance marker and altitude plate are other typically Spanish features.
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Peeping Tom time! The "trompe d'oeuil" detail inside the ticket office, just visible through the waiting room, is a collage of material from a photo of the office at Beamish museum.
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Mixing bright and warm LEDs creates a nice contrast of lighting effects.
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This was the last one, looking up the street from the roof of the garage opposite the station, before my camera finally surrendered to the darkness!
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korm kormsen said:
very neat!

it misses only one thing. pics of the building process!

I have shown a bit of this before, but here is a quick summary, as it is too rainy to go outside!

It started with the basic walls cut from 5mm Forex. I don't bother with drawings or even detailed measurements, I just make it up as I go! Forex cuts with a craft knife and is happy to be scribed, sanded, drilled etc. Unusually I only sliced the end off my finger once during this project.
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The position of dressed masonry did get marked out directly on the walls, so that I could create a bill of materials for the dozens of tiny bits required.
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It is important to get the order of assembly right though, especially when everything will be visible from each side and there are interior details and lighting to consider. As much as possible was made in advance, such as all the little bits of plasticard and forex to form the masonry detail. I use UHU glue.
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The interior scenes were created separately and make use of cheap doll's house furniture, aquarium plants, scanned and laminated pictures and textures etc.
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I also try to do as much work as possible before assembly, so scribing, marking out, painting and doors/windows are done with each wall still as an individual piece. Rough stone is represented by scribing, applying a pale sandstone masonry paint, then stippling a darker shade (mid-stone) using a sponge.
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The smoother dressed stone for all other parts is made from various thicknesses of plasticard, which receives 2 coats of just sandstone and then a light wipe of the darker shade.

The doors are fiddly, with that arch and profile needed to be softened in hot water and bent over a jig overnight.
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The doors were made using styrene profile and plasticard, applied directly to a sheet of 1mm PVC glazing which was set into the walls.
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As 3 of the doors would be visible from the other side of the waiting room, the messy insides needed painting too. Door handles are ends of the hairpins I used to make bars for one of the windows.
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To give the impression of solidity, door and window apertures are given an extra piece of 5mm Forex to deepen them and all my offcuts are saved up to provide extra strengthening, especially where walls butt together.
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Where there is no detailed room behind a window, I made dummy shutters from scanned photos, which were then fixed behind the glazing.
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Here the walls are beginning to come together and some interiors are in place.
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I tried to keep the lighting arrangements together, using the middle floor. The waiting room has recessed lights for neatness; all LEDs, including those in the WC, streetlamps, phone box, are all wired in parallel, and thankfully my scruffy wiring is all hidden in the finished model.
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The street level is 30mm below platform height and so the street side needed steps. The handrails and downpipes are made from bits of sprue from vehicle kits.
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The roof is a separate lid and is not glued but is a snug fit. Using a single piece of foamboard helps weatherproof the building. Rubber bathmat from a bargain shop in Spain has been used to save the cost of vac-formed roofing sheet and when painted, looks quite good as tiles. A Forex sub-roof supports it. A bead and toothpick create finials.
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With the walls now joined, the remaining masonry was added, covering the butted joint. Signage is again from laminated photos gleaned from Spanish collectibles websites or created with a graphics package.
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The phone box was a bit of mission to make with PVC clear sheet and plasticard and I hate to admit how many attempts I made to get 3 transfers to stick in the right place without attaching themselves to everything else but the wretched kiosk itself. The design and phone are supposed to be correct for Spain in the early 1960s and in this photo, I was still mucking about with laminated signs before I opted to make decals.
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The WC block was made in a similar way but with reduced dimensions for the stonework detail. The open grille is PVC tablemat material from the bargain shop. Power to the LED is carried out to it from the main building through a sewer pipe made from a flexible drinking straw.
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Cheeky Monkey said:
Is that blue light in the toilet block an electric fly zapper? Awesome
You got me - yes and with me being a bit of an obsessive for authentic detail, there are in fact a number of 1:22.5 flies circling around inside ;)
 
Brilliant, captures your Spanish theme very well and well worth the 200 hours spent on it.
 
And the blue light will stop the local 'druggies' finding a vein..
;) :o :o ;) ;)
 
WOW!!
 
Superbly Spanish, how I wish I had visited Spain in the mid 60's when there was plenty of Steam and even some on many of the NG Lines. You have certainly captured the oook of a Spanish Station of the era tgat I have sen in books and was still present on the minir lines tyat I visited for Steam circa 70/71. Many thanks for showing your methods,
JonD
 
absolutely brilliant martyn i really like the way you have captured the essence and detail of your build but where as you are now finished i still have a lot more to do and will keep you up to date as things progress in the mean time i salute you on your success
 
EXCELLENT !!!!! as usual ;) ;) ;)
 
Well done Sir - brilliant....
 
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