New beginnings

Dream on! Although, based on the prices of some of the items that certain forumites have displayed on their railways, at least a few of us have made it. ;) Glad we can enjoy our hobby whether we're building from discarded materials to minimize the costs or planning an extension to accommodate the Marklin/LGB Big Boy that we just purchased. Personally, I lean more toward the former than the latter! However, I really do appreciate those who purchase the more expensive items because eventually some of them will end up on eBay at a price I can afford. BTE, I rather like what Jasper is doing and enjoy his posts.
 
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Some long-awaited materials finally arrived this week. So now the whole of Route One (the original circuit of track) has overhead, which is a bit of a milestone.

It also means the overhead on the triangle is complete. I like how it's beginning to look like a busy tram junction.

Hey Gordon, you shouldn't be standing on that roof! It's not safe!

Now I wonder, did Tina and Tim get here by secretly riding the platform wagon? :wondering:


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Some long-awaited materials finally arrived this week. So now the whole of Route One (the original circuit of track) has overhead, which is a bit of a milestone.

It also means the overhead on the triangle is complete. I like how it's beginning to look like a busy tram junction.

Hey Gordon, you shouldn't be standing on that roof! It's not safe!

Now I wonder, did Tina and Tim get here by secretly riding the platform wagon? :wondering:


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Sorry, Jasper, I got carried away.
 
Last Friday, at precisely 10 AM, I rang the doorbell at Regner in southern Germany. I was presented with my new loco! I briefly met the owner, Mr Lechner, then was relegated to a well-versed employee who went through the whole process of steaming up, driving, and shutting down with me. He answered all my questions, and I went home feeling able to actually handle this thing.


Of course they could have sent it to me, but I have no regrets driving all the way, it was worth it. I did plan on doing another thing in the area, but that fell through at the last moment (long story).


The next day, I took my time preparing and steaming up, still apprehensive. But I made it work. By great good fortune, I had quite an audience at that moment. I rarely have visitors, but as it happened that day one of my children used the living room for a Dungeons & Dragons session. So when the loco came steaming and whistling along, they were all cheering. Nice!
(You may remember, part of the track runs about a metre above ground in full view of the living room.)


 
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One of the questions I asked when at Regner's, is whether the loco woud negotiate an R0 curve (422mm). No one knew, and I promised I'd let them know.


Well, about 8 seconds into that video, you can see it works. You need a combination of boldness and care. Even reversing the three four-wheelers through that curve can be done, but I dared not let go of the controls during that manoeuvre so I don't have it on video.


By the way, I think the wagons look good behind the loco. I chose the right colour back in 1991.
 
It is named Emma, after a Dutch Queen.


Emma (1858-1934) was the young wife of an old King. They had one child together, a daughter, who was still a child when the King died. There being no one else who could succeed (no brothers, uncles, etc.) Emma stepped in and was the de facto head of state for eight years. She was generally appreciated for how she did this. Her daughter took over when she turned eighteen.


That's worth a locomotive, don't you think?
 
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I decided I'd try to make a Christmas Train this year. This is a first for me, and frankly I feel quite out of my depth because it seems the most frivolous thing I've ever done. I'm a very serious person.

But I'm doing it.... just wait. :nod:
 
BEHIND THE SCENES



That Christmas Train video looks pretty straightforward. But the reality behind something simple-seeming can sometimes be complicated. Today I'd like to share with you what I ran into when making that simple video.

The first complication was the weather. After I'd put the train together, it was wet and gloomy outside and remained so for days. So, on the first occasion the weather was a bit brighter (and I didn't have to work) I went outside with my train. This was already an involved process, as the workshop is on the first floor, so I took individual wagons downstairs into the kitchen, which thereby became rather unusable, and then the back door had to remain open despite the cold while I walked back and forth with individual wagons. Once outside, I put everything on the track and had my phone ready.

For this train, I didn't want to try Live Steam because it is still very new to me, so I hooked up the electric power to the tracks. This in turn ruled out Route Two, the long route, as the power is fed into the tracks at only one point, and part of Route Two is too far from that feeding point. So the Christmas Train would run on Route One.

To my surprise, none of my electric locos was able to pull the train. I'm not sure what caused this, as the train isn't particularly long or heavy. I found that a combination of two locos would do it, but I didn't like the looks of that combination, and for a Christmas Train looks are important. My solution was to keep the front loco completely out of frame. This is why the video doesn't begin with a head-on "here she comes" shot.
Also, the distinct yellow of the front loco tended to randomly appear in the bit of video where the end of the train takes the curve, near the end of the video. I took me quite a few takes to get that right.

I had several problems near the bridge. It turns out Santa leans farther backwards than I thought he did, and he actually hit the girder of the bridge. Maybe the bridge itself was already not properly aligned, I can't say. Also, a pantograph got into trouble where one overhead mast is lower than all the others. (This is a self made plastic panto that isn't sprung and cannot lower itself.)
Both of these issues were addressed, but then came the biggest problem with the section near the bridge: it's about 3 metres from the feeding point and there wasn't enough current for the two locomotives to pull the train. I will look into my current supply. I will also create more feeder points. This last thing has long been on the "maybe one day" list, but has now moved up to the "2025 if not sooner" list.

So now I had to forego the section near the bridge. This left me with a C-shaped route, meaning I had to back the train up as far as possible, put it in forward motion, and then run to my video standpoint, which included one duckunder. Then I had to grab my phone, position myself, and start filming before the train arrived. Then I had to carefully back the entire train up to the starting point again. When putting the train in forward, I had to be careful of the train speed: a little too fast and I wouldn't be in time to film it, a little too slow and it would move irregularly. I think the final take errs on the slow side.

All in all, a far cry from my original idea of having the train run circles, with me standing around at ease, shooting my video shots.

Another strange discovery: officially the two locos have the same coupler height but in reality they don't. Some random uncouplings took place and I had to create a makeshift link that couldn't come loose. A piece of metal wire wound through the couplings hooks.

An issue that seems absurdly simple in comparison, is that I had doubts about the video quality of my phone. The later takes, including the one that made it into the final video, were shot with my tablet.

And finally, when filming was done and I was taking everything back inside, I made a clumsy mistake. The back door was open again, and what with the cold, and a housemate going about their life, this got me into a bit of a hurry. I was trying to lift both locomotives off the track, hampered by them still being linked by a piece of metal wire. One way or another I wasn't careful enough and I ended up slamming that pantograph into the overhead. In the photos you can see it dangling there, with the roof of the loco still attached.
Now this may sound like more of a calamity than it is: that loco always had a loose roof, because I always knew I might one day want to replace the panto with a working one. Attached to a new roof. Swappable roofs. It seems the time has come for that project.



So there you have it: the trials and tribulations of shooting a simple-seeming Christmas video.

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